{"id":2006,"date":"2023-03-17T17:20:53","date_gmt":"2023-03-17T16:20:53","guid":{"rendered":"https:\/\/duoarte.at\/?page_id=2006"},"modified":"2025-12-04T23:15:55","modified_gmt":"2025-12-04T22:15:55","slug":"repertoire","status":"publish","type":"page","link":"https:\/\/duoarte.at\/de\/repertoire\/","title":{"rendered":"Repertoire"},"content":{"rendered":"
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Repertoire<\/h1>\n
\u00a0<\/div>\n
G. Bacewicz <\/b>– Taniec Mazowiecki<\/div>\n
\u00a0<\/div>\n
L.v. Beethoven<\/b>\u00a0– Sonate f\u00fcr Violoncello und Klavier g-moll Op.5, Nr. 2<\/div>\n
\u00a0<\/div>\n
E. Bloch <\/b>– Prayer<\/div>\n
\u00a0<\/div>\n
H. Bosmans<\/strong>\u00a0–<\/span>\u00a0<\/span>Sonate f\u00fcr Violoncello und Klavier<\/span><\/div>\n
\u00a0– Impressions<\/span><\/div>\n
\u00a0<\/div>\n
N. Boulanger <\/b>– Trois pi\u00e8ces pour violoncelle et piano\u00a0<\/div>\n
\u00a0<\/div>\n
J. Brahms<\/b>\u00a0 – Sonate f\u00fcr Violoncello und Klavier e-moll Op.38, Nr.1<\/div>\n
– Sonate f\u00fcr Violoncello und Klavier F-Dur Op.99, Nr.2<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/div>\n
M.<\/b> Bruch <\/b>– Kol Nidrei<\/div>\n
\u00a0<\/div>\n
G. Cassad\u00f3\u00a0<\/b>–\u00a0Requiebros<\/div>\n
\u00a0<\/div>\n
F. Cerha <\/b>– Drei St\u00fccke f\u00fcr Violoncello und Klavier<\/div>\n
\u00a0<\/div>\n
F. Chopin<\/b> – Sonate f\u00fcr Violoncello und Klavier g-moll Op.65<\/div>\n
\u00a0<\/div>\n
C. Debussy <\/b>– Sonate f\u00fcr Violoncello und Klavier d-moll<\/div>\n
\u00a0<\/div>\n
C. Franck<\/b>\u00a0– Sonate f\u00fcr Violoncello und Klavier A-Dur<\/div>\n
\u00a0<\/div>\n
E. Grieg<\/strong> \u2013 Sonata f\u00fcr Violoncello und Klavier a-moll, Op.36<\/div>\n
\u00a0<\/div>\n
L. Jan\u00e1\u010dek<\/b> – Poh\u00e1dka<\/div>\n
\u00a0<\/div>\n
V. Kapr\u00e1lov\u00e2<\/strong> – Deux Ritournelles Op.25<\/div>\n
\u00a0<\/div>\n
E. Korngold<\/strong> – Serenade\u00a0<\/div>\n
\u00a0<\/div>\n
F. Kreisler<\/b>\u00a0– Liebesleid und Liebesfreud<\/div>\n
\u00a0<\/div>\n
J. Kropfitsch<\/b>\u00a0– Sonate f\u00fcr Violoncello und Klavier Op.6<\/div>\n
\u00a0\u00a0<\/span>\u00a0<\/span><\/div>\n
B. Martin\u016f<\/strong><\/b>\u00a0<\/div>\n
\u2013<\/span>\u00a0<\/span>Ariette<\/div>\n
\u2013 Sonata f\u00fcr Violoncello und Klavier Nr.2 H 213<\/div>\n
\u2013 Sonata f\u00fcr Violoncello und Klavier Nr.1 H.277<\/div>\n
\u2013 Sonate f\u00fcr Violoncello und Klavier Nr. 3, H.340<\/div>\n
\u2013<\/span>\u00a0<\/span>Variationen \u00fcber ein Slowakisches Thema\u00a0<\/div>\n
\u2013<\/span>\u00a0<\/span>Variationen \u00fcber ein Thema von Rossini<\/div>\n
\u00a0<\/div>\n
F. Mendelssohn – Bartholdy<\/b>\u00a0<\/div>\n
– Sonate f\u00fcr Violoncello und Klavier D-Dur Op.58, Nr.2<\/div>\n
– Lied ohne Worte Op.109<\/div>\n
\u00a0<\/div>\n
N. Myaskovsky\u00a0<\/b>– Sonate f\u00fcr Violoncello und Klavier Op.81, Nr.2<\/div>\n
\u00a0<\/div>\n
A. Piazzolla<\/b>\u00a0– Le Grand Tango<\/div>\n
\u00a0<\/div>\n
E. Ponce <\/b>– Estrellita<\/div>\n
\u00a0<\/div>\n
S. Prokofiew<\/b> – Marsch aus der Oper ‘Die Liebe zu den drei Orangen’<\/div>\n
\u00a0<\/div>\n
D. Schostakowitsch <\/b>– Sonate f\u00fcr Violoncello und Klavier d-moll Op.40<\/div>\n
\u00a0<\/div>\n
R. Schtschedrin<\/b> – Imitating Albeniz<\/div>\n
\u00a0<\/div>\n
R. Schumann\u00a0<\/b><\/div>\n
– Fantasiest\u00fccke Op.73<\/div>\n
– Adagio und Allegro As-Dur, Op.70<\/div>\n
– 5 St\u00fccke im Volkston Op.102<\/span><\/div>\n
\u00a0<\/div>\n
S. Vainiunas<\/b>\u00a0– Sonate f\u00fcr Violoncello und Klavier\u00a0<\/div>\n
\u00a0<\/div>\n
E. Werba<\/b> – Slawisches Lied Op.10<\/div>\n
\u00a0<\/div>\n
R. Wertheim<\/strong> – Sonatine f\u00fcr Violoncello und Klavier<\/span><\/div>\n<\/div>\n
\n
\u00a0<\/div>\n
S. Zinzadze<\/b>\u00a0– Five Pieces for Cello and Piano<\/div>\n<\/div>\n

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Repertoire \u00a0 G. Bacewicz – Taniec Mazowiecki \u00a0 L.v. Beethoven\u00a0– Sonate f\u00fcr Violoncello und Klavier g-moll Op.5, Nr. 2 \u00a0 E. Bloch – Prayer \u00a0 H. Bosmans\u00a0–\u00a0Sonate f\u00fcr Violoncello und…<\/p>","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2006","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/duoarte.at\/de\/wp-json\/wp\/v2\/pages\/2006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/duoarte.at\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/duoarte.at\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/duoarte.at\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/duoarte.at\/de\/wp-json\/wp\/v2\/comments?post=2006"}],"version-history":[{"count":100,"href":"https:\/\/duoarte.at\/de\/wp-json\/wp\/v2\/pages\/2006\/revisions"}],"predecessor-version":[{"id":2279,"href":"https:\/\/duoarte.at\/de\/wp-json\/wp\/v2\/pages\/2006\/revisions\/2279"}],"wp:attachment":[{"href":"https:\/\/duoarte.at\/de\/wp-json\/wp\/v2\/media?parent=2006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}